Bibliography about art, activism and technology
By Laura Baigorri and Pau Alsina

:: ADILKNO. (1994). Cracking the Movement.New York: Autonomedia :: ADILKNO. (1998). The Media Archive. New York: Autonomedia :: ARENDT, Hannah (1968). Between Past and Future. Viking :: BAIGORRI, Laura. (1998). Muntadas (autour de la censure). Banda Aparte n.11. Valencia: La Mirada. ( de Turbulences Vidéo n.13, Revue culture contemporaine, arts vidéo et nouvelles technologies, Clermont-Ferrand, Francia). :: BAIGORRI, Laura. (2001). SPIN. Adrenalina, derrota, sabotaje y duda, VTV (Vitoria Territorio Visual) Ayuntamiento de Vitoria-Gasteiz. :: BENJAMIN, Walter. (1973). Discursos interrumpidos I. Madrid: Taurus. :: BENJAMIN, Walter (1971). Sobre el programa de la filosofía futura y otros ensayos, Montevideo: Monte Avila. :: BEY, Hakim.(1996). TAZ, Zona Temporalmente Autónoma. Talasa, Madrid (1ª ed (1995) TAZ The Temporary Autonomous Zone, Antological Anarchy, Poetic Terrorism, New York: Autonomedia). Spanish: http://accpar.org/numero3/taz.htm and http://accpar.org/numero4/taz2.htm i en http://www.vuk.org/taz Internet. :: BEY, Hakim.(1999). Inmediatism. Madrid: Virus. :: BREA, Jose Luís. (2002). La era post-media Acción comunicativa, prácticas (post)artísticas y dispositivos neomediales. Salamanca: Centro de Arte de Salamanca. :: BLISSET, Luther. (2001). Pánico en las redes. Teoría y práctica de la guerrilla cultural. Madrid: Literatura BLISSET, Luther; a.f.r.i.k.a. y BRÜNZELS, Sonja. (2000) Manual de la Guerrilla de la Comunicación. Barcelona: Virus. :: BOGARD, William. (1996). The Simulation of Surveillance: Hypercontrol in Telematic Societies. Cambridge: Cambridge. :: BOYLE, Deirdre. (1987). Subject to Change: Guerrilla Television Revisited, New York : Oxford University Press. :: BRATE, Adam. (2002). Technomanifestos: Visions from the Information Revolutionaries. New York :Texere. :: CAREY, John. (1992). The intellectuals and the Masses. Faber :: CASACUBERTA, David. (2003). Creación Colectiva. Barcelona: Gedisa. :: CASTELLS, Manuel. (1997). La era de la información: economía, sociedad, cultura. (vol I-III) Madrid: Alianza Editorial. :: CASTELLS, Manuel. (2001). La Galaxia Internet: Reflexiones sobre Internet, empresa y sociedad . Barcelona: Areté :: CRITICAL ART ENSEMBLE. (1994). The Electronic Disturbance, New York: Autonomedia. http://www.critical-art.net/books/ted/index.html :: CRITICAL ART ENSEMBLE. (1998). Electronic Civil Disobedience and Other Unpopular Ideas . New York: Autonomedia. http://www.critical-art.net/books/ecd/index.html :: CRITICAL ART ENSEMBLE. (2000). Flesch Machine, New York: Autonomedia. http://www.critical-art.net/books/flesh/index.html :: CRITICAL ART ENSEMBLE. (2001). Digital Resistance: Explorations in Tactical Media, New York: Autonomedia . http://www.critical-art.net/books/digital/index.html :: CRITICAL ART ENSEMBLE. (2002). The Molecular Invasión. New York: Autonomedia. http://www.critical-art.net/books/molecular/index.html :: DELEUZE, Gilles, GUATTARI, Felix. (1988). Mil Mesetas: Capitalismo y Esquizofrénia. Valencia: Pre-Textos :: DOMÍNGUEZ, Ricardo (ed). (2002). Hacktivism. New York: Autonomedia. :: DREYFUS, Suelette. (1997). Underground. Hacking, Madness and Obsession on the Electronic Frontier. Australia : Random House,. :: FOUCAULT, Michel. (1999). Vol I-III. Obras esenciales., Barcelona, Buenos Aires, México: Paidós :: FOUCAULT, Michel (1982). Vigilar y castigar. Madrid: Siglo XXI :: HAFNER, K. & MARKOFF, J. (1991). Cyberpunk: Outlaws and Hackers on the Computer Frontier. New York:Touchtone. :: HALLECK, Deedee. (2001). Hand-Held Visions: The Uses of Community Media. Fordham, Bronx. :: HARVEY, David. (2003). Espacios de esperanza, Barcelona: Akal :: HIMANEN, Pekka. (2002). La ética del hacker y el espíritu de la era de la información. Barcelona: Destino. :: KELLY, Kevin (1998). No logo, No space, No choice, No Jobs. Flamingo. :: LEVY, Steven. (1994). Hackers: Heroes of the Computer Revolution Ed.Delta. :: LOVINK, Geert (2003). Uncanny Networks: Dialogues with the Virtual Intelligentsia. Cambridge: MIT Press :: LOVINK, Geert (2003). Dark Fiber: Tracking Critical Internet Culture. Cambridge: MIT Press. :: LUDLOW, Peter (ed.). (2001). Crypto Anarchy, Cyberstates, and Pirate Utopias, Cambridge: MIT Press. :: MAGNAN, Nathalie. (1996). Tactiques médias et Cyber Guérrilla , en Blocnotes Guérillas. Contemporary Art & Culture, n.12, París: Frank Perrin. :: MINSKY, Marvin. (1986). The Society of Mind. Simon & Schuster. :: MINOR, Dale. (1970). The information War. Hawthorn Books :: MORAVEC, Hans. (1988). Mind Children. Harvard University Press. :: NETTIME (filtr) (1999). Readme!, ASCII Culture and the Revenge of Knowledge. New York: Autonomedia :: NEGRI, Antoni. HARDT, Michael. (2000). Empire. Harvard University Press. (Ed.Castellana. 2000. Imperio. Barcelona: Paidós) :: PENNY, Simon (1995). Critical Issues in Electronic Media. Albany, New York : State University of New York Press. :: POSTMAN, Neil (1993). Technopoly: The Surrender of Culture to Technology. Neew York: Vintage. :: RAYMOND, Eric S. (1994). The New Hackers Dictionary. Cambridge: The MIT Press. Also in http://earthspace.net/jargon/jargon_toc.html :: SASSEN, S. (1991). The global city, New York, London,Tpkyo, Princeton: N.J.: princeton University Press.(Ed. Castellana: (1999) La ciudad global. Nueva York, Londres,Tokio, Buenos Aires.: Eudeba.) :: SASSEN, Saskia (2002). Global Networks/Linked Cities. New York and London: Routledge :: SHAMBERG, Michael y Raindance Corporation. (1971). Guerrilla Television;, New York. Holt: Rhinehart y Wiston :: SHIMOMURA, Tsutomu & MARKOFF, John. (1996). Takedown: The Pursuit and Capture of America's Most Wanted Computer Outlaw, Hyperion. :: SHULGIN, Alexei. (1997). Art, Power and Communication. (Some simple thoughts without any wish to make them more profund) . Parachute n.85. Nouvelles technologies 2. Montreal: Reseaux. :: SLATALLA, M. & QUITTNER, J. (1995). Masters of Deception: The Gang That Ruled Cyberspace, HarperCollins.. :: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (1998). Ars Electronica 98: INFOWAR - Information, Power, War / Information, Macht, Krieg. Vienna: Springer-Verlag http://web.aec.at/infowar/NETSYMPOSIUM/ :: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (2002). UNPLUGGED, Art as the Scene of Global Conflicts. Stuttgart: Hatje Cantz :: STERLING, Bruce. (1992). The Hacker Crackdown: Law and Disorder on the Electronic Frontier Bantam Books. New York, 1992. Also in. ftp://mrcnext.sco.uiuc.edu:/pub/etext Versió castellana en Internet http://www.globaldrome.org/textos/hackercrack/ :: SUN TZU. (1999). El arte de la Guerra. (segle VI a.C). Barcelona: Martínez Roca. http://www.gorinkai.com/textos/suntzu.htm English http://www.sonshi.com/ :: TAYLOR, Paula A. (1999). Hackers. Crime in the digital sublime. Londres/Nueva York: Routledge :: VAZQUEZ MONTALBAN, Manuel. (1999). Marcos: El señor de los espejos. Madrid: Aguilar,. :: VIRILIO, Paul. (1999). La bomba informática, Madrid: Cátedra. :: VIRILIO, Paul. (1997). El cibermundo, la política de lo peor, Madrid: Cátedra. :: WEIBEL, Peter; LEVIN,Thomas Y.; FROHNE, Ursula (ed.) (2002). CTRL [SPACE] Rhetorics of Surveillance from Bentham to Big Brother. Cambridge: MIT Press. :: WHITAKER, Reg. (1999). El fin de la privacidad. Cómo la vigilancia total se está convirtiendo en realidad. Paidós, Barcelona, ((1999)The End of Privacity, The New Press, New York,). :: WEBSTER, Frank. (2001). Culture and Politics in the Information Age: A New Politics? New York: Routledge. :: WYATT, Sally. HENDWOOD, Flis. MILLER,Nod & SENKER, Peter . (2000). Technology and In/equality: Questioning the Information Society New York: Routledge.

The texts published in this journal, unless otherwise indicated, are subject to a Creative Commons Attribution-Noncommercial-NoDerivativeWorks 2.5 Spain licence. They may be copied, distributed and broadcast provided that the author and the journal that publishes them (Artnodes) are cited. Commercial use and derivative works are not permitted. The full licence can be consulted on http://creativecommons.org/licenses/by-nc-nd/2.5/es/deed.en.