Bibliography: glocal heterotopies  
Articles: glocal heterotopies  

Bibliography about art, science and technology
By Pau Alsina

:: Academy of Media Arts. Babel - The Myth of Human Understanding in Art, Science and Technology. (1992: Cologne)

:: ASCOTT, Roy (ed.) (1997). Consciousness Reframed - Art and Counsciousness in the Post-biological Era. Newport: UWNC.

:: ASCOTT, Roy (ed.) (1999). Reframing Consciousness. Exeter, UK: Intellect.

:: ASCOTT, Roy (2003). Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. Berkeley: University of California Press.

:: BREA, José Luís (2002). La era postmedia. Acción comunicativa, prácticas (post)arísticas y dispositivos neomediales. Salamanca: Editorial Centro de Arte de Salamanca.

:: CASACUBERTA, David (2003). Creación Colectiva. Barcelona: Gedisa.

:: CILLERUELO, Lourdes (2001). Arte de Internet. Génesis y definición de un nuevo soporte artístico (1995-2000). Bilbao: UPV.

:: COUCHOT, Edmond (1998). La technologie dans l'art, De la photographie à la réalité virtuelle. Paris: Jacqueline Chambon.

:: COYNE, Richard (1999). Technoromanticism. Digital Narrative, Holism, and the Romance of the Real. Cambridge: MIT Press.

:: CRITICAL ART ENSEMBLE (2001). Digital Resistence. New York: Automedia.

:: CRITICAL ART ENSEMBLE (1994). Electronic Civil Disobedience. New York: Automedia.

:: CRITICAL ART ENSEMBLE (1998). Flesh Machine, Cyborgs, Designer Babies, and New Eugenic Consciousness. New York: Automedia.

:: CRITICAL ART ENSEMBLE (2002). Molecular Invasión. New York: Automedia.

:: CUBITT, Sean (1998). Digital Aesthetics. London: Sage.

:: DAVIS, Douglas (1973). Art and the Future, A History/Prophecy of the Collaboration between Science, Technology and Art. New York: Praeger.

:: DINKLA, Söke (1997). Pioniere interaktiver Kunst von 1970 bis heute. Karlsruhe: ZKM - Cantz Verlag.

:: DRUCKREY, Timothy (ed.) (2001). Ars Electronica: Facing the Future: A Survey of Two Decades (Electronic Culture: History, Theory and Practice). Cambridge: MIT Press.

:: DRUCKREY, Timothy (1996). Electronic Culture, Technology and Visual Representation. Denville, New Jersey, USA: Aperture.

:: DRUCKREY, Timothy; ARS ELECTRONICA (ed.) (1999). Ars Electronica: Facing the Future - A Survey of Two Decades. Cambridge: MIT Press.

:: DRUCKREY, Timothy; BENDER, Gretchen (1994). Culture on the Brink, Ideologies of Technology. Seattle: Bay Press.

:: EMMER, Michele (1993). The Visual Mind. Art and Mathematics. Cambridge: MIT Press.

:: FLAKE, Gary William (1999). The Computational Beauty of Nature. Cambridge: MIT Press.

:: FLUSSER, Vilém (1996). Pour une philosophie de la photographie. Saulxures: Circé.

:: GIANNETTI, Claudia (ed.) (1998). Ars Telematica. Barcelona: l'Angelot.

:: GIANNETTI, Claudia (ed.) (1999). Arte Facto & Ciencia. Madrid: Fundación Telefónica.

:: GIANNETTI, Claudia (2002). Estética Digital. Barcelona: l'Angelot.

:: GIANNETTI, Claudia (ed.) (1995). Media Culture. Barcelona: l'Angelot.

:: GOLDBERG, Ken (2000). The Robot in the Garden. Telerobotics and Telepistemology in the Age of the Internet. Cambridge: MIT Press.

:: GOODMAN, Cynthia (1987). Digital Visions, Computers and Art. New York: Harry N. Abrams.

:: GRAU, Oliver (2003). Virtual Art: From Illusion to Immersion. Cambridge: MIT Press.

:: HARRIS, Craig (1999). The XEROX PARC Artist-in-Residence Program. Cambridge: MIT Press. (Leonardo Book Series).

:: HAYLES, Katherine (1999). How we Became Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: The University of Chicago Press.

:: HAYWARD, Philip (1990). Culture Technology and Creativity in the Late Twentieth Century. London: John Libbey.

:: HERSHMAN LEESON, Lynn (1996). Clicking In, Hot Links to Digital Culture. Seattle: Bay Press.

:: HOLTZMAN, Steven (1997). Digital Mosaics. The aesthetics of Cyberspace. New York: Simon & Schuster.

:: KEPES, Gyorgy (1995). Language of Vision. New York: Dover Publications.

:: KISSELEVA, Olga (1998). Cyberart, un essai sur l'art du dialogue. Paris: L'Harmattan.

:: KRUEGER, Myron (1991). Artificial Reality II. Reading Massachussetts: Addison-Wesley.

:: LANSDOWN, John; EARNSHAW, Rae (1989) Computers in Art, Design and Animation. Berlin: Springler-Verlag.

:: LIU, Catherine (2000). Copying Machines. Taking Notes for the Automaton. Minneapolis: University of Minnesota Press.

:: LOVEJOY, Margot (1997). Postmodern Currents, Art and Artists in the Age of Electronic Media. New Jersey: Prentice Hall, Upper Saddle River.

:: LOVINK, Geert (2003). Uncanny Networks: Dialogues with the Virtual Intelligentsia. Cambridge: MIT Press.

:: LOVINK, Geert (2003). Dark Fiber: Tracking Critical Internet Cultura. Cambridge: MIT Press.

:: LUNENFELD, Peter (1999). The Digital Dialectic: new Essays on New Media. Cambridge: MIT Press. (Leonardo Book Series).

:: LUNENFELD, Peter (2001). Snap to Grid. Cambridge: MIT Press. (Leonardo Book Series).

:: MAEDA, John (2001). Design by Numbers. Cambridge: MIT Press.

:: MAEDA, John (2000). Maeda @ Media. London: Thames & Hudson.

:: MANOVICH, Lev (2001). The Language of New Media. Cambridge: MIT Press.

:: MOHOLY-NAGY, Laszlo (1947). Vision in Motion. Chicago: Paul Theobald.

:: MOLES, Abraham (1990). Art et ordinateur. Paris: Blusson.

:: MORSE, Margaret (1998). Virtualities. Television, Media Art and Cyberculture. Bloomington: Indiana University Press.

:: MOSER, Mary Anne; MACLEOD Douglas (1996). Immersed in Technology, Art and Virtual Environments. Cambridge: MIT Press. (Leonardo Book Series).

:: PENNY, Simon (1995). Critical Issues in Electronic Media. New York: SUNY.

:: PACKER, Randall; JORDAN, Ken (ed.) (2002). Multimedia: from Wagner to Virtual Reality. New York: WW Norton.

:: POISSANT, Louise (1997). Dictionnaires des Arts Médiatiques. Montréal: Presses de l'Université du Québec. (Collection Esthétique).

:: POISSANT, Louise (1995). Esthétique des Arts Médiatiques. Montréal: Presses de l'Université du Québec. (Collection Esthétique). Tome 1 et 2.

:: RUSH, Michael (1999). New Media in Late 20th-Century Art. London: Thames & Hudson.

:: SAUVAGEOT, Jacques; BLIN, Odile (1997). Images numériques. L'aventure du regard. Rennes: Ecole régionale des Beaux-Arts de Rennes.

:: SOMMERER, Christa; MIGNONNEAU, Laurent (1998). Art @ Science. Wien: Springer.

:: SPALTER, Anne Morgan (1998). The Computer in the Visual Arts. Reading Massachussetts: Addison Wesley.

:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (1996). Ars Electronica 96- MEMESIS: The Future of Evolution. Vienna : Springer-Verlag.

:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (1997). Ars Electronica 97: Fleshfactor: Informationsmaschine Mensch.Vienna: Springer-Verlag.

:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (1998). Ars Electronica 98: INFOWAR - Information, Power, War / Information, Macht, Krieg. Vienna: Springer-Verlag.

:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (1999). Ars Elctronica 1999 - LifeScience. Vienna: Springer Verlag.

:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) ( 2000). Ars Electronica 2000 - Next Sex: Sex in the Age of Its Procreative Superfluousness/Sex im Zeitalter seiner reproduktionstechnischen Überflussigkeit. Vienna: Springer Verlag.

:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) ( 2001). TAKEOVER, wer macht die Kunst von morgen - who's doing the art of tomorrow. Vienna: Springer Verlag.

:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (2002). UNPLUGGED, Art as the Scene of Global Conflicts. Stuttgart: Hatje Cantz.

:: WARDRIP-FRUIN, Noah; MONTFORT, Nick (ed.) (2003). The New Media Reader. Cambridge: MIT Press.

:: WEIBEL, Peter (ed.) (2001).Net Condition: Art and Global Media (Electronic Culture). Cambridge: MIT Press.

:: WEIBEL, Peter; LATOUR, Bruno (ed.) (2002).ICONOCLASH Beyond the Image Wars in Science, Religion and Art. Cambridge: MIT Pess.

:: WEIBEL, Peter; LEVIN,Thomas Y.; FROHNE, Ursula (ed.) (2002). CTRL [SPACE] Rhetorics of Surveillance from Bentham to Big Brother. Cambridge: MIT Press.

:: WEIBEL, Peter; SHAW, Jeffrey (ed.) (2003). Future Cinema: The Cinematic Imaginary After Film (Electronic Culture Series). Cambridge: MIT Press.

:: WILSON, Stephen (2001). Information Arts: Intersections of Art, Science, and Technology. Cambridge: MIT Press.

:: YOUNGBLOOD, Gene (1970). Expanded Cinema. New York: Dutton.