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Bibliography about art, activism and technology
By Laura Baigorri and Pau Alsina
:: ADILKNO. (1994). Cracking the Movement.New York: Autonomedia
:: ADILKNO. (1998). The Media Archive. New York: Autonomedia
:: ARENDT, Hannah (1968). Between Past and Future. Viking
:: BAIGORRI, Laura. (1998). Muntadas (autour de la censure). Banda Aparte n.11. Valencia: La Mirada. ( de Turbulences Vidéo n.13, Revue culture contemporaine, arts vidéo et nouvelles technologies, Clermont-Ferrand, Francia).
:: BAIGORRI, Laura. (2001). SPIN. Adrenalina, derrota, sabotaje y duda, VTV (Vitoria Territorio Visual) Ayuntamiento de Vitoria-Gasteiz.
:: BENJAMIN, Walter. (1973). Discursos interrumpidos I. Madrid: Taurus.
:: BENJAMIN, Walter (1971). Sobre el programa de la filosofía futura y otros ensayos, Montevideo: Monte Avila.
:: BEY, Hakim.(1996). TAZ, Zona Temporalmente Autónoma. Talasa, Madrid (1ª ed (1995) TAZ The Temporary Autonomous Zone, Antological Anarchy, Poetic Terrorism, New York: Autonomedia). Spanish: http://accpar.org/numero3/taz.htm and http://accpar.org/numero4/taz2.htm i en http://www.vuk.org/taz Internet.
:: BEY, Hakim.(1999). Inmediatism. Madrid: Virus.
:: BREA, Jose Luís. (2002). La era post-media Acción comunicativa, prácticas (post)artísticas y dispositivos neomediales. Salamanca: Centro de Arte de Salamanca.
:: BLISSET, Luther. (2001). Pánico en las redes. Teoría y práctica de la guerrilla cultural. Madrid: Literatura BLISSET, Luther; a.f.r.i.k.a. y BRÜNZELS, Sonja. (2000) Manual de la Guerrilla de la Comunicación. Barcelona: Virus.
:: BOGARD, William. (1996). The Simulation of Surveillance: Hypercontrol in Telematic Societies. Cambridge: Cambridge.
:: BOYLE, Deirdre. (1987). Subject to Change: Guerrilla Television Revisited, New York : Oxford University Press.
:: BRATE, Adam. (2002). Technomanifestos: Visions from the Information Revolutionaries. New York :Texere.
:: CAREY, John. (1992). The intellectuals and the Masses. Faber
:: CASACUBERTA, David. (2003). Creación Colectiva. Barcelona: Gedisa.
:: CASTELLS, Manuel. (1997). La era de la información: economía, sociedad, cultura. (vol I-III) Madrid: Alianza Editorial.
:: CASTELLS, Manuel. (2001). La Galaxia Internet: Reflexiones sobre Internet, empresa y sociedad . Barcelona: Areté
:: CRITICAL ART ENSEMBLE. (1994). The Electronic Disturbance, New York: Autonomedia. http://www.critical-art.net/books/ted/index.html
:: CRITICAL ART ENSEMBLE. (1998). Electronic Civil Disobedience and Other Unpopular Ideas . New York: Autonomedia. http://www.critical-art.net/books/ecd/index.html
:: CRITICAL ART ENSEMBLE. (2000). Flesch Machine, New York: Autonomedia. http://www.critical-art.net/books/flesh/index.html
:: CRITICAL ART ENSEMBLE. (2001). Digital Resistance: Explorations in Tactical Media, New York: Autonomedia . http://www.critical-art.net/books/digital/index.html
:: CRITICAL ART ENSEMBLE. (2002). The Molecular Invasión. New York: Autonomedia. http://www.critical-art.net/books/molecular/index.html
:: DELEUZE, Gilles, GUATTARI, Felix. (1988). Mil Mesetas: Capitalismo y Esquizofrénia. Valencia: Pre-Textos
:: DOMÍNGUEZ, Ricardo (ed). (2002). Hacktivism. New York: Autonomedia.
:: DREYFUS, Suelette. (1997). Underground. Hacking, Madness and Obsession on the Electronic Frontier. Australia : Random House,.
:: FOUCAULT, Michel. (1999). Vol I-III. Obras esenciales., Barcelona, Buenos Aires, México: Paidós
:: FOUCAULT, Michel (1982). Vigilar y castigar. Madrid: Siglo XXI
:: HAFNER, K. & MARKOFF, J. (1991). Cyberpunk: Outlaws and Hackers on the Computer Frontier. New York:Touchtone.
:: HALLECK, Deedee. (2001). Hand-Held Visions: The Uses of Community Media. Fordham, Bronx.
:: HARVEY, David. (2003). Espacios de esperanza, Barcelona: Akal
:: HIMANEN, Pekka. (2002). La ética del hacker y el espíritu de la era de la información. Barcelona: Destino.
:: KELLY, Kevin (1998). No logo, No space, No choice, No Jobs. Flamingo.
:: LEVY, Steven. (1994). Hackers: Heroes of the Computer Revolution Ed.Delta.
:: LOVINK, Geert (2003). Uncanny Networks: Dialogues with the Virtual Intelligentsia. Cambridge: MIT Press
:: LOVINK, Geert (2003). Dark Fiber: Tracking Critical Internet Culture. Cambridge: MIT Press.
:: LUDLOW, Peter (ed.). (2001). Crypto Anarchy, Cyberstates, and Pirate Utopias, Cambridge: MIT Press.
:: MAGNAN, Nathalie. (1996). Tactiques médias et Cyber Guérrilla , en Blocnotes Guérillas. Contemporary Art & Culture, n.12, París: Frank Perrin.
:: MINSKY, Marvin. (1986). The Society of Mind. Simon & Schuster.
:: MINOR, Dale. (1970). The information War. Hawthorn Books
:: MORAVEC, Hans. (1988). Mind Children. Harvard University Press.
:: NETTIME (filtr) (1999). Readme!, ASCII Culture and the Revenge of Knowledge. New York: Autonomedia
:: NEGRI, Antoni. HARDT, Michael. (2000). Empire. Harvard University Press. (Ed.Castellana. 2000. Imperio. Barcelona: Paidós)
:: PENNY, Simon (1995). Critical Issues in Electronic Media. Albany, New York : State University of New York Press.
:: POSTMAN, Neil (1993). Technopoly: The Surrender of Culture to Technology. Neew York: Vintage.
:: RAYMOND, Eric S. (1994). The New Hackers Dictionary. Cambridge: The MIT Press. Also in http://earthspace.net/jargon/jargon_toc.html
:: SASSEN, S. (1991). The global city, New York, London,Tpkyo, Princeton: N.J.: princeton University Press.(Ed. Castellana: (1999) La ciudad global. Nueva York, Londres,Tokio, Buenos Aires.: Eudeba.)
:: SASSEN, Saskia (2002). Global Networks/Linked Cities. New York and London: Routledge
:: SHAMBERG, Michael y Raindance Corporation. (1971). Guerrilla Television;, New York. Holt: Rhinehart y Wiston
:: SHIMOMURA, Tsutomu & MARKOFF, John. (1996). Takedown: The Pursuit and Capture of America's Most Wanted Computer Outlaw, Hyperion.
:: SHULGIN, Alexei. (1997). Art, Power and Communication. (Some simple thoughts without any wish to make them more profund) . Parachute n.85. Nouvelles technologies 2. Montreal: Reseaux.
:: SLATALLA, M. & QUITTNER, J. (1995). Masters of Deception: The Gang That Ruled Cyberspace, HarperCollins..
:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (1998). Ars Electronica 98: INFOWAR - Information, Power, War / Information, Macht, Krieg. Vienna: Springer-Verlag http://web.aec.at/infowar/NETSYMPOSIUM/
:: STOCKER, Gerfried; SCHOEPF, Christine (eds.) (2002). UNPLUGGED, Art as the Scene of Global Conflicts. Stuttgart: Hatje Cantz
:: STERLING, Bruce. (1992). The Hacker Crackdown: Law and Disorder on the Electronic Frontier Bantam Books. New York, 1992. Also in. ftp://mrcnext.sco.uiuc.edu:/pub/etext Versió castellana en Internet http://www.globaldrome.org/textos/hackercrack/
:: SUN TZU. (1999). El arte de la Guerra. (segle VI a.C). Barcelona: Martínez Roca. http://www.gorinkai.com/textos/suntzu.htm English http://www.sonshi.com/
:: TAYLOR, Paula A. (1999). Hackers. Crime in the digital sublime. Londres/Nueva York: Routledge
:: VAZQUEZ MONTALBAN, Manuel. (1999). Marcos: El señor de los espejos. Madrid: Aguilar,.
:: VIRILIO, Paul. (1999). La bomba informática, Madrid: Cátedra.
:: VIRILIO, Paul. (1997). El cibermundo, la política de lo peor, Madrid: Cátedra.
:: WEIBEL, Peter; LEVIN,Thomas Y.; FROHNE, Ursula (ed.) (2002). CTRL [SPACE] Rhetorics of Surveillance from Bentham to Big Brother. Cambridge: MIT Press.
:: WHITAKER, Reg. (1999). El fin de la privacidad. Cómo la vigilancia total se está convirtiendo en realidad. Paidós, Barcelona, ((1999)The End of Privacity, The New Press, New York,).
:: WEBSTER, Frank. (2001). Culture and Politics in the Information Age: A New Politics? New York: Routledge.
:: WYATT, Sally. HENDWOOD, Flis. MILLER,Nod & SENKER, Peter . (2000). Technology and In/equality: Questioning the Information Society New York: Routledge.
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