Convergence culture: where old and new media collide
Convergence Culture maps a new territory: where old and new media intersect, where grassroots and corporate media collide, where the power of the media producer and the power of the consumer interact in unpredictable ways.
Henry Jenkins, one of America's most respected media analysts, delves beneath the new media hype to uncover the important cultural transformations that are taking place as media converge. He takes us into the secret world of Survivor Spoilers, where avid internet users pool their knowledge to unearth the show's secrets before they are revealed on the air. He introduces us to young Harry Potter fans who are writing their own Hogwarts tales while executives at Warner Brothers struggle for control of their franchise. He shows us how The Matrix has pushed transmedia storytelling to new levels, creating a fictional world where consumers track down bits of the story across multiple media channels.
Jenkins argues that struggles over convergence will redefine the face of American popular culture. Industry leaders see opportunities to direct content across many channels to increase revenue and broaden markets. At the same time, consumers envision a liberated public sphere, free of network controls, in a decentralized media environment. Sometimes corporate and grassroots efforts reinforce each other, creating closer, more rewarding relations between media producers and consumers. Sometimes these two forces are at war.
Knowledge Community, Media Industry. Popular culture, New Media, old media
Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change
1. Spoiling Survivor: The Anatomy of a Knowledge Community
2. Buying into American Idol: How We are Being Sold on Reality TV
3. Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling
4. Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry
5. Why Heather Can Write: Media Literacy and the Harry Potter Wars
6. Photoshop for Democracy: The New Relationship between Politics and Popular Culture
Conclusion: Democratizing Television? The Politics of Participation
About the Author